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Speaker damping paint/coating

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Hi.

Been looking all over for some answers to what would work as a damping spray/paint/coating for the interior of the enclosure?

Not sure if this is even something that should be done?

Not like it'll be easy to remove once applied.

I've built two sets of speakers from plans off the Frugal-Horn site Double mouth BVR's

(Kongo and Kirishima)

Want to coat the interiors to deaden the "boxes"

Has anyone done this?

If so, what materials have been used and to what effect?

Thank you in advance,

Per

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IRS2092 Modules VS TPA3255

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Greetings, ive been planning a Class D subwoofer amp using modules as its cheaper then buying say a Dayton Audio plate of equal power.
My original plan was to use a stereo TPA3255 board, and just use one channel making it possible to be a stereo subwoofer amp with a PSU upgrade. But today i found THIS IRS2092, IRFB4227 module for cheaper, but needs split power and not a cheap MW switch mode. AS-4440?

Does anyone have experience with those IRS boards? for 4 Ohm subwoofer use would i get any more power using it instead of a TPA3255? i believe the TPA3255 at 4Ohm 1% 51V gives 250Wx2.

Newbie question, how to hook up Quasimodo if I have center tap?

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Sorry for the elementary question... I've used Quasimodo to determine the snubber when I only have two secondary leads when I'm using a bridge rectifier, no problem.

Now how do I hook up my scope and bell ringer if the secondary has a center tap for a full wave rectifier? Do I need to snub each half independently? Or do I just measure for a snubber that will span peak to peak? And have a snubber that ignores the center tap. Wouldn't it be better to snub both separately since the diodes fire alternately? Also if one is testing each half winding separately do I put the ringer and scope across the center tap and one of the outer leads? I'll short all other windings. Do I need to short the other outer secondary lead to anything, or let it float?

what are the best transducers for creating full range vibrations?

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Any size, but ease of adding to a surface would be ideal

Acoustic Horn Design - The Practical Way

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It was suggested to me to start a thread regarding the actual practical builds of horns and waveguides, mainly designed with the Ath. So here it is, for everyone to share their own way of converting their design into something real and listenable. Show off! :)

So far the tool can generate:
- STL file,
- coordinates files to be imported into Autodesk Fusion 360 as splines and/or smooth surfaces.

There may be other useful features implemented in to tool to enhance the practical possibilities - just let me know.

FS: Grace F-9E

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Hi all,

for sale is, almost legendary, cartridge Grace F-9E.

Pictures:
1 — ImgBB
2 — ImgBB

It is used, but I don't know if it needs to be services or not, I haven't heard a new one. I can say it sounds better than Grado Black 2.

Shipping worldwide.

Price is 200 euro but negotiable.

Grace F9E cartridge | LP GEAR

WTB OPTs with multiple secondaries for Parafeed Headphone Amp

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WTB Lundahl 2756-30mA or Sowter 8665 for Parafeed Headphone amp project.

buying tube sockets in Europe

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Where are you guys shopping for chasis mount tube sockets in europe? Ebay has a lot of chinese stuff, but you have to wait more than a month and quality is questionable.

Might the "RJ" speaker w. diffraction slot be of interest to Karlson(atpr) Fans?

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just wondering. A question for XRK971 - does the RJ offer any potential for "cone control" vs a direct radiator and if so must the exit slot be smaller in area than Sd ? I tried simming 12LTA in the M151 box below and it indicated a lot of peaking. In practice I don't think that will happen in a vintage RJ12 = but would have to verify.

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Here's a plot of 12LTA in a slimline RJ enclosure - that box had the same volume as the more cubical models for 15" That 12LTA was was in bad shape where it had been dropped and could hear the voice coil rattling so the result may not be valid, It probably would measure a bit better with a good unit.

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How to recognize a broken OT?

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I took over a Mesa Boogie Fifty / Fity tube amplifier.
This is a stereo tube power amplifier.
However, channel B has a problem (which I knew when purchasing). I will quote a piece from the seller:
"2 years ago a transformer and a tube broke. I then had this checked at NEL (a local fix) and had a new tube inserted. Since I still play mono, I decided not to use the broken transformer. According to the manual, the poweramp can remain perfectly 'on one leg', as long as you turn the volume knob of the unused channel closed. "

I then asked the seller what caused the output transformer to be killed and whether all the tubes were replaced. To this I got the following answer:

"Indeed, an output transformer. There is still sound coming out, only very weak. Earlier whisper level. No idea, at NEL they said it could have multiple causes. One of the four lamps was cracked so that pair was taken out and replaced by a new pair. Channel B now has the old lamps. Channel A new. Furthermore, they have (if I remember correctly) also replaced some diodes and capacitors. There is nothing wrong with that. "

I do not have the amplifier yet, but it should be sent today.
I can order a new OT from TAD but I first want to know whether it is / cannot be something else.
Before I am already gaining information.

Here I have some questions:
- If an OT is broken, does any sound come out at all? Although the volume is very low.
- Is it plausible that an OT is broken. Or is it better to look into surrounding components? Or perhaps solder joints.
- Is there an easy way to measure or check an OT?

Simple Passive Harsch XO Using PTT6.5 and RS28F in a Waveguide

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I think I may have stumbled upon the first practical all passive crossover for the Harsch XO topology, which provides a quasi-transient perfect response for a 2-way speaker. Normally the Harsch XO is only implemented in DSP because the delays required are too large to be practical.

I received my Purifi PTT6.5 woofers a few days ago as part of the GB organized by Norman Tracy. I have been thinking about what kind of speaker to make with this special driver. I was going to use either a ribbon tweeter, or fullrange and make it into a FAST with a low crossover around 1kHz. However, I have a speaker box that has been languishing for a few years since I could never finish it. I happened to have a 0.57 cu ft cabinet that I made for an RS180P and a WG300 waveguide fitted with an RS28F dome tweeter. The cabinet also was fitted with dual 6.5in passive radiators from Dayton. As a lazy person's first test, I pulled the RS180P and dropped the PTT6.5 in and it was nearly a perfect drop-in fit. The PTT6.5 OD on the bezel was just a couple of mm smaller than the RS180P. Continuing on the lazy trend, I connected the existing XO for the RS180P and an RS28F.
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Surprisingly, it sounded very very good considering it's a totally different driver and 4ohms vs 8ohms. This got me motivated to really crank out a new speaker crossover to hear what this driver can do. So I setup my microphone (UMIK-1 calibrated by Cross Spectrum Labs), REW, and my new TPA3255 reference Class D amp with PFFB. Probably the only amp I have at present that can drive 4ohms (good for up to 300w+). Here is a photo of the test setup:
Click the image to open in full size.

I began by measuring their T/S parameters with a DATS. Everything looked great and the values were within factory specs for Qts, fs, and SPL. Here is the DATS measurement:
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The drivers were almost perfectly matched too - very unusual to have two drivers with an impedance curve that is near identical.

I took some frequency response FRD data with just the woofer, the tweeter, and both combined in order to figure out the acoustic center offset via acoustic interferometry to be done in Xsim. Here is a plot showing the predicted combined raw driver response with the simulated one for a 19mm offset of the tweeter relative to the woofer:
Click the image to open in full size.

This was measured with the mic along the woofer axis (I plan to put the woofer on top and tweeter on the bottom to get a little extra time of flight delay for the tweeter while still keeping the front baffle flat), I get a 20mm offset of the tweeter and waveguide based on the interferogram match of the simulated and actual combined measurement. This is the same technique that I used on the 10F/RS225 FAST speaker in order to get time alignment. It works here even though the crossover curves are not anywhere near 1st order, but closer to what is seen on a Harsch XO with a steep 4th order low pass on the woofer and less steep 3rd order high pass on the tweeter. Furthermore, since the Purifi PTT6.5 driver has such a nice flat response out to nearly 4khz, I was able to run a high XO point of about 3.6kHz, which corresponds to a time of flight delay distance of 47.5mm (1.87in). By using the woofer as the main acoustic axis, we are able to approximately delay the tweeter by a little extra due to triangulation.

In Xsim, I modeled the following very simple crossover using only 2 inductors, 2 capacitors, and four resistors (the prototype uses multiple values from my XO development kit to build up the desired values), was able to achieve a very Harsch-like textbook XO profile. Here is the crossover schematic, as-built:
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Here is a photo of the prototype crossover as implemented using my XO development kit:
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Here is the predicted frequency response plot for this crossover:
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Here is the predicted impedance plot for this crossover:
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Here is the measured frequency response for 1/24th octave smoothing. Note the tell-tale dip in the system response relative to the woofer only response just to left of the crossover frequency. This is a classic sign that the Harsch XO was set up correctly.
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The other tell-tale sign that it is a Harsch is that there is about a 55 deg phase shift bump from the nominal, and here we see a fairly flat phase response from 100Hz to 10KHz with an approximate 55 deg rise.
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And finally, the clearest indication that this crossover is quasi transient perfect is the fact that the step response looks like a right triangle. Without this feature, the advantages of a transient perfect crossover are lost.
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Here is the distortion associated with these measurements and although I am not using the suggested Purifi passive radiators, there is still a fairly low level of harmonic distortion.
Click the image to open in full size.

From the measurements, we can also see that the measured group delay (GD) is excellent – under 5 milliseconds down to about 45Hz.
Click the image to open in full size.

So what we have here is sort of like the elusive missing Chalice of XO’s: a simple quasi-transient perfect higher order XO capable of rendering clean, crisp attack notes while remaining easy to implement in a flat baffle speaker with commercially available drivers and woofers. The PTT6.5 is what makes this speaker possible.
Click the image to open in full size.
Click the image to open in full size.

How does it sound? I only have it in mono, but it sounds Excellent: great balance and clarity, nice midrange weight and slam, super highs and a wide sweetspot and excellent imaging provided by the waveguide! I really am impressed by how clean it sounds, and the tweeter is working where it is mostly designed for. This leaves the woofer to handle the midbass, where it loves to operate. The bass with the dual Dayton PR’s still needs work, but this is where I think a TL is going to really do a nice job.

Here is a video of this speaker playing a song that really exercises the passive radiators. I will need to make a proper TL speaker to keep the high efficiency and low distortion bass output as these passive radiators I had were running out of xmax already.

FS: Linkwitz Lx521.4 + Ncore 10 ch + DSP amp

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I'm selling my LX521.4 because I have moved and I do not have space for this system to work properly.

I could finish this project during lockdown but I cannot keep this system and The Loudspeaker together.

They have been built with CNC and laquered in black and white.
Everything is in perfect condition and the speakers have been used less than 20 hours. I could say they are new condition.

The amplifier has 10 Hypex Ncore MP channels + 2 minidsp 2x4 balanced programmed with the latest crossover for the LX521.4:
Each speaker as follows:
Hypex NC252MP 2x250W (one channel for each subwoofer)
Hypex NC122MP 2x125W (one channel for midwoofer and one for midrange)
Hypex NC100HF 100W (for tweeters)
Minidsp 2x4 Balanced

Connections between amplifier and speakers has speakon connectors.

I'm selling the speakers in 3000€ and the amplifier with DPS integrated for 2000€. All the cabling will be included with amplifier.

This is a superb price, shipping (very heavy) is not included but I would paletize everyting safely.

Estimated shipping within EU is about 180€.

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SEAS tweeters Acoustic Energy AE1 Series 11

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Not sure if I am in the right place for this! I have a pair of Acoustic Energy AE1 speakers fitted 25 TAFC/W-AE H 617 tweeters which are open circuit. I have carefully dismantled them but cannot see an obvious break in the wire.
Can you obtain replacement diaphragm/ coil assemblies ? Alternatively can they be repaired - if so can anyone in the uk help. If anyone has a pair of SH tweeters please let me know asking price!!

DIY Analog Summing Mixer (active or passive)

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Hello


I own a Siemens V2275 (shall be this one vintagetools shop | Siemens 2275/1). It shall be very much similiar to Neumann V475 units.


Now I want to build a summing mixer around this unit. I can solder but otherwise I have no idea about electronic. So I hope you can help me.



What are the pros and cons of active and passive versions? I tend to build a passive unit as I am more flexible with the preamp coloration. I want something like a neve style preamp. If I go for an active summing mixer, how to include this?



Where can I find DIY Tutorials for this? Google didnt help me very well. Maybe you can :)



I need 8 Inputs and a stereo (preferably 2 xlr) outputs, as well as a send return switch between the summing mixer and the audio interface to be able to hear my edits live (or do I get sth wrong here)?


I just own the Siemens unit and want to include it in my productions. I also think it will be fun working on my first DIY project and learning more about the stuff I use daily.


Thanks a lot :)

rogue audio st90 super magnum

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hi, does anyone have the above amp? I have the non magnum and am looking at attempting the up grade myself. I'm after a photo of the inside of the amp under the cover if possible. Or any pointers anyone might have.
this is a list of the mods rogue do;

Stereo 90 and Tempest II Super Magnums ($695)

- Hex Fred diodes in bias supply
- Screen grid resistors upgraded
- Polypropylene bypass capacitors in filters
- Bypass coupling caps
- PRP resitors in all critical spots
- Cardas binding posts
-Cardas RCA jacks (ST90 only)
- Upgraded wiring
- Upgraded small signal tubes
- KT90 output tubes.

cheers adie

FS: 4 Dayton Audio DC160-8 woofers

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Cleaning the garage... For sale 4 Dayton Audio DC180-8 absolutely NEW.
One of them measured and then installed in cabinets. I had no time to do a crossover and this projet is cancelled. Never used.

Selling in pairs:
1 pair: 40€
2 pairs: 70€

I could trade for... i don't know, but I don't want to put money.

Thank you

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Logitechmediaserver - Material Skin User interface

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I thought it's worth to have a separate thread on the subject.

Many of you like and run Logitechmediaserver based streaming solutions.
I couldn't agree more to that choice. It's IMO the best solution out there.

However. Until recently the available user interfaces were OK. And that was about it.
I've been running Orange Squeeze and iPeng for years.

That changed some months ago.

There's a rather new kid on the block.
Material Skin (MS)
This new community provided feature brought the LMS package to a whole new level.

Material Skin is an advanced LMS User Interface (UI) using latest web technologies.

You can simply install it via LMS Settings/Plugins.

Once that is done you access it via " http://192.xxx.x.xxx:9000/material/" from a browser.
You simply just add "/material" to your known LMS server IP.

That works on any browser in the network. MS offers desktop and smartphone modes.

Once you've bookmarked MS, use the "Add Bookmark to Home" feature that comes with most of the browsers to pin MS to the homescreen. It works on Android and iOS.

Change the layout/color scheme to your liking. And make it "default". You'll then have the same layout on all platforms. Which IMO is an awesome feature!
Suddenly you have the same look and feel on all your control clients - it'll give your streaming setup one look and feel throughout the house.

I tested it also with Qobuz,Tidal and Spotify. Works great.

All my external control apps are gone now, replaced by Material Skin.

Not to forget. MS is actively being developed/maintained. (Let see how this develops over time.)

Advise: Make sure you run the latest LMS. Download and install the latest 8.0 nightly build.
If you run old/outdated LMS versions, you might have problems getting it to work properly.

Bottom line. If not done yet. Just give it a try.


Thx to Craig for his excellent work. It's highly appreciated.

Enjoy.

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Which chip? 24v single Power

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Hi,

In need of some advice, I want run an amp on 12 to 24v.

Looking a Tda 2030, Tda 2050 and also looking at c5200 transistor.

Running into an 8 or 4 ohm speaker.

What would you choose? Any other options?

Thanks

Kev

dual opamp crosstalk

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Hi,

I got confused about how to app. estimate the crosstalk between opamps in dual opamp package.

It kind of depends on implementation and pcb layout.

But f.ex. here, in the NE5532 specs:
- is that figure the maximum possible isolation in db? (110 db)

Click the image to open in full size.


Regads

FS : Jantzen coils, Mundorf Coils, Jantzen Audio Cross-Cap Capacitors

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For Sale:

2 pieces of "Jantzen Audio Cross-Cap 56uF, 400V, MKP, Diam=46mm L=58mm" Price for both = 15 Εuros plus shipping.

2 pieces of "Jantzen Audio Cross-Cap 68uF, 400V, MKP, Diam=47mm, L=58mm" Price for both = 16 Εuros plus shipping.

2 pieces of "Jantzen Audio Cross-Cap 12uF, 400V, MKP, Diam=26mm, H=44mm" Price for both = 5 Εuros plus shipping.

2 pieces of JANTZEN coils no 5245 L=4,5 mH Rdc=0,39 Ohm Diam=45mm L=47 mm Price for both = 10 Εuros plus shipping.

2 pieces of JANTZEN coils no 2389 L=1,6 mH Rdc=0,3 Ohm Diam=45mm L=47 mm Price for both = 5 Εuros plus shipping.

2 pieces of Mundorf coils H100 L=1 mH Rdc=0,15 Ohm Diam=29mm L=25 mm Price for both = 10 Εuros plus shipping.


All components have been soldered and used in a test circuit crossover.

All components have been measured and are in excellent condition.

Price for all components is 50 Euros plus shipping.

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